Cambridge Post Mississippi Fred McDowell and Sandy Denny

by Liz Hamill

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1.
A Good Cry 04:19
oh you can't go on the road when you haven't said goodbye and you can't leave your home when you haven't had a good cry even though you know it's time, time even though you'd rather believe a lie you can fight the good fight and pretend it doesn't hurt you can wrestle with the angel and pretend that it'll work even though you know it's lost, lost even though you know the price and the cost and somehow you know that there's an end and in the end's a beginning oh oh you can part as friends while your heart shakes and rends you can say farewell while you're making your amends so send him all your love show her all your tears hold her in your hands like a little dove and you kiss away those fears and somehow you know that there's an end and in the end's a beginning oh oh you can't go on the road when you haven't said goodbye and you can't leave your home when you haven't had a good cry
2.
Crosswind 03:26
he keeps thinking of the crosswind at Crossroads where his family's tavern stood two roads the sign of the cross the lines in his Nana's forehead there's no tavern there now cornfields dust from the roads the wind dust in the crosswind leather sweat and tanned faces baseball boys off the field jangling bottles Sunday after church the tired lady's hands on the glassy counter a mirror stained with age pain not spoken dust in the throat dust in the eyes blind in the crosswind they called his grandpa Budweiser Bud a bottle and a baseball and a Cardinal's cap best seats in the stadium hotdogs cokes and Bud for Bud Brock steals third there's a foul off of Wynn baseball like a meteor falls on him rolls away down three aisles a guy grabs it Bud yanks it back "Give my that ball -- it's for my grandson!" grandpa we lost you that night on the crosswind smashed into beer looked like a truck gravestones at the crossroads crosswind at the crossroads dust dust in the throat dust in the eyes blind in the crosswind he keeps thinking of the crosswind at Crossroads
3.
Rabid Dog 03:29
i'm a rabid dog foamin' at the mouth someone come and give me a shot there's a rope around my neck and i'm tied to a pole and i bite the ones the ones i love a lot i told you people yesterday that i'm ready to kill i see the m-16 bullet holes in the wall and i can't stand to stand still foamin' at the mouth lord i'm seein' red i think i'm gonna cry comin' down the road ahead this is my voice i speak in a growl i like this moon it makes me howl don't you give me those tender eyes they look a lot like lies believe me i ain't no hound dog ain't high class i ain't no dog in the manger you tell me that you have love me but you look a lot like a stranger foamin' at the mouth lord i'm seein' red i think i'm gonna die comin' down the road ahead i bite through the rope i clear the fence now i'm comin' down the road don't you throw me any old bone if you think you can tame me with a little dish a food and water let me tell you my bite's as bad as my bark i'm no mutt you can kick in the butt i got a coat that sleek and shiny pearly teeth you say you got a pedigree as far as you can see you're dressed like a wolf but you're really a sheep i bite and bark just look at me drool i'm a rare diamond a precious jewel you think i'm some flee-bitten cur let me tell you you're a turncoat fool foamin' at the mouth lord i'm seein' red i think i'm gonna cry comin' down the road ahead did you feed the dog? she's just a dog go and put out in the dog house put a scrap in a doggie bag and throw in a little doggie biscuit take her for a walk put her on a leash she's just a dog a dog-faced bitch a stray dog a faithful dog sit roll over play dead i'm sick as a dog dog tired dog mad dog sick as a dog dog tired dog mad dog of this world i'm sick as dog as a dog tired dog mad dog eat dog of this world this is a dog song beware of dog
4.
outside the clothes sway on the line we say it seems a century there's still no time nothing burns so bright as the star that burns itself to make nothing of the night oh i press the dark to my backporch heart outside there's the lilacs and sycamore trees the clock counts a day we count an hour Cassiopeia lost her diamonds in the woods to get me home oh i press the dark to my backporch heart outside there's the ground where once i lay outside there's the ground where you lay me down the ground will be our shelter the stars will light our bed oh i press you to my backporch heart
5.
goin' down to Wanda's Wanda loves good news heard enough of me wailin' out the blues found a place called Easy Street got me love to burn been shakin' down the money tree luck just took a turn goin' down to Wanda's no wolves at my door i step out on the bandstand no blood on the floor sun shines something fierce no one ever said that you could get up out of here when you was half dead this a sure thing shoo-in zappy dappy cat-bird seat teamin' up the pea patch oh the cake's so sweet doll it up la dee da put on your glad rags ritz and spritz and spruce it up now angel face goin' down to Wanda's Wanda's real downtown always hears the lowdown good news gets around rainbow around my shoulders set the world on fire send my troubles south oh root hog or die it's a blast a gas sittin' pretty in Gas city zing it up let her rip whoo give it the works this a belly buster hit it off buddy buddy toot toot tootsie pretty baby goin' down to Wanda's dreams done paved that street got some wheels beneath me shook the dust off of my feet land of milk and honey think that you had died died and gone to heaven finally satisfied no more finger shakin' no more true hearts breakin' no more crazy makin' no more pillow fakin' no more mammy jumpers no more bible thumpers no more fish-eye go by no more chase the butterfly no more nazi mobs no more robot jobs no more salvador slaves no more unmarked graves no more one horse kings no more waxen wings no more aids goodnights no more off course flights goin' down to Wanda's Wanda loves good news goin' down to Wanda's tonight goin' down to Wanda's Wanda loves good news goin' down to Wanda's tonight
6.
i'm a daughter of the american revolution and i play some things blue my race car father eloped with my mother beauty queen ingenue blue blood boy and tavern owner's girl make a child accidentally of course in that war no one escaped the booze-filled insanity don't know where i'm headed i don't know i don't know don't know where i'm headed but i'm not going back there i dig deep for the grass roots that spring up in the sidewalk cracks of the city streets i'm looking for the place where light and darkness black and white meet so go on now grab those steel-tipped boots and you put them on both feet i'm following the scent of sanctity and the sound of a quiet heartbeat don't know where i'm headed i don't know i don't know don't know where i'm headed but i'm not going back there i once Jesus standing in a stream of light in a painting by Caravaggio velvet hands and blazing white in that room there were no windows i came up out of the white side of the East St. Louis ghetto you know i've had my days when i thought that love had died a long time ago don't know where i'm headed i don't know i don't know don't know where i'm headed but i'm not going back there i'm a daughter of the american revolution and i play somethings blue don't know where i'm headed but i'm not going back there
7.
there once was an old woman at the wishing well she had the laugh of ancient China there once was an old woman at the wishing well she missed her daughters do you think that she would find them among the reflections in the water? the old woman at the wishing well looked toward the time when they'd return i can't tell you i can't tell you i can't tell you when if you're patient, steadfast and long suffering your suffering will end this i promise you tonight the old woman at the wishing well sees the light of the moon on the waters in the reflections from the eyes from her daughters everything's alright quiet silent peaceful night
8.
hey you with the stars in your eyes the grit in your teeth the stomp in your feet you'd better move over 'cause Lucy's back in town been down and out and struggled a fair road from the Mississippi to the seven hills of Rome looking for my home always had to take things out to get out now i'm here you know it's my time my turn my tune my tongue on the line if you were a skyscraper and i was a rose you know i'd shake you down to your very foundation rose is a rose everybody knows you can smell my earthquake scent as far as the wind blows when my petals brush up against your feet explode implode detonation elation Lucy's back in town i'm looking glass no longer darkly i'm not standing in love's lost land no darlin' i shout my name loud and clear you got the right to quake in fear when you see this high strung philly rear always had to take things out to get out now i'm here you know it's my time my turn my tune my tongue on the line stomp stomp stomp in this African heat you can stomp feet and let your heart beat beat i'm a wild elephant raging in a frenzied stampede you better take cover while Lucy craves new flesh and new meat for blood boils blood wild and deep you better move Lucy's back in town move over Lucy's back it's my time my turn my tune my tongue on the line
9.
i wanted to give you a music box to sing the whole night through and comfort you but i couldn't find the one to sing the right song they were all wrong so i wrote you one of my own i know sometimes we don't agree that can't always be tonight I realize we live different lives oh but i wanted you to know yes it's so i'll always love you my sweet rose

about

“…She’s very different, very distinctive and is really adding a new dimension to songwriting in New England…[Liz] has a little bit of Ricki Lee Jones, Joni Mitchell, Shawn Colvin, Suzanne Vega and Michelle Shocked all mixed up in her sound. She is not necessarily using a traditional ballad style; she is taking it one step further. Tremendous writing, fabulous CD!” – Dick Pleasants, WGBH 97.9 FM, “Folk Heritage Show” Boston, Massachusetts

“Synergizing folk, blues and jazz, Liz Hamill has added a fresh powerful voice to the folk and women’s music scenes…Her delivery is reminiscent of Joni Mitchell, particularly in her use of discord as counterpoint to exceptionally literary lyrics and simple catchy melodies.” – Soujourner Magazine, Boston, Massachusetts

Featuring Birdsong at Morning bassist, Greg Porter

credits

released July 11, 2012

Darleen Wilson, Producer
Liz Hamill, Co-producer, vocals, acoustic guitar, piano, harmonica
Greg Porter, electric and fretless bass
Coleman Rogers, Recording Engineer

Mixed by Darleen Wilson and Coleman Rogers
Recorded at Soundworks, Watertown, MA
Mastered by Bob Patton, Thin Ice Productions and Henk Kooistra, Sound/Mirror
Photography by John Earle
Cover Poloroid Transfer by Marnie Kaplan
Design by Janet Reynolds Bemis, To the Point

All songs by Liz Hamill. Some lyrics by Liz Hamill and Jane Barnes

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about

Liz Hamill San Francisco, California

Worked in the folk scene in Cambridge, Massachusetts. Studied with MacArthur recipient, pianist, Ran Blake and Yiddish- Klezmer music revivalist, Hankus Netsky and jazz guitarist, Mick Goodrick. Producer for Dakini Music. Consulting with Dickinson College about The Allen Tanner Papers, LGBTQ Studies. Currently, returning to work in Folk music and Contemporary Improvisation in San Francisco. ... more

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